This is where my latest work can be seen including step-by-step progress reports, news and merchandising as well as features on artists, living and dead who I would like to draw people's attention to. Please note all my images are covered by International Copyright laws. Copyright to other artists images resides with the artist or their estate, their inclusion on this blog a result of my missionary zeal and to no profit for myself!

Saturday, 12 August 2017

Midnight Mahal

As part of the current exercise in tweaking some recent pictures I have slightly changed "Midnight Mahal" by putting in an indication of the moon in the sky at near top right as well as putting in a few more moonlit highlights on the Taj itself. The colour is more blue than it appears here but again this is another hard painting to photograph.

Original painting

Tuesday, 8 August 2017

60,000 page hits

I am pleased to report that my blog has just exceeded 60,000 page hits...

Moonlight In The Seraglio...again

OK OK I've finished tweaking it now! I returned to the studio yesterday and finally realised what was bugging me about the top of the picture, I didn't like the shapes of the dark foreground against the moonlit background. To this end I darkened off the arches and merged them more into the curtains, this added some more contrast which makes it work better spatially and breaks up the awkward way the curtains met the top edge of the picture.

Due to my father having another fall I will be around less in the studio for a while so please understand the relative lack of activity on this blog!

Monday, 31 July 2017

Moonlight In The Seraglio

Although I thought that I had finished repainting "Moonlight In The Seraglio" yesterday I was looking at it this morning and I realised that I could improve it by darkening the interior. To this end I painted a Violet/Blue glaze over all of the mid-ground interior and over the shadows of the buildings on the background. This I think separates the interior from the outside and gives a bit more of an interesting tonal design to the picture by accentuating the shape of the area lit by moonlight in the  background.
This is a hard painting to photograph so you will have to wait until Illuxcon to see what it actually looks like!
I will be away from the studio now until Thursday although due to my father having another fall yesterday, things are more uncertain...

Sunday, 30 July 2017

Moonlight In The Seraglio repainted

Something has bugged me about this painting for some time and I decided that if it was to be of a good enough standard to take to Illuxcon I needed to do something about it. I finally realised that it was the perspective in the foreground and the awkward space of carpet between the figure and the immediate foreground. The area that she occupied in space was wrong and it looked as though the divan was at some crazy angle to the floor. I didn't want to repaint the whole figure so I resolved to try and sort it out so that although it wouldn't be perfect at least it would make more sense, to which end I positioned her on a different divan that was at a different angle to the floor. I then added some other details such as an incense burner and a cushion and slightly repainted the figure.
I hope that this has resolved the situation!
Oil on linen 18" x 24".

Original painting

Tuesday, 25 July 2017

Moonlight In The Seraglio/Midnight Bay


Original painting
I have carried on with tweaking these two paintings to get them ready for Illuxcon with "Midnight Bay" now finished. I gave it two glazes of a green/blue (Winsor Green and Prussian Blue) to darken areas and strengthen the contrast.
Due to the extensive reworking of the foreground in "Moonlight In The Seraglio" I am still working on this one, hopefully finishing it tomorrow morning before I leave the studio for a few days, back on Saturday.

Reworked painting   








Monday, 24 July 2017

Moonlight In The Seraglio

New Version
In order to get some paintings to a state that I am happy with to take to Illuxcon I am repainting or adjusting a number of paintings including "Midnight Mahal", "Midnight Bay"and "Moonlight In The Seraglio".
With "Moonlight In The Seraglio" there has been something bugging me about it for some time and have finally realised what it was, the perspective in the foreground. With that in mind I have made a start on correcting it by placing the figure on a different divan and at a different angle. I have also repainted the foreground pillar perspective so that the different components of the foreground will make more sense in terms of the space they occupy.

Original painting